Harold pinter’s projection of ‘fantasy’ and ‘illusion’ with a focus on an existential climax of contrasted experience in his dramatic world: an appraisal
International Journal of Development Research
Harold pinter’s projection of ‘fantasy’ and ‘illusion’ with a focus on an existential climax of contrasted experience in his dramatic world: an appraisal
Received 03rd April, 2019; Received in revised form 17th May, 2019; Accepted 08th June, 2019; Published online 28th July, 2019
Copyright © 2019, Dr. S. Chelliah. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
This research paper is out and out an exploration throwing light on the dramatic art of the absurd dramatist Harold Pinter who launches who projects fantasy and illusion with a focus on an existential climax of contrasted experience in his dramatic world. This research paper makes the point clear that the real and the illusory are never clearly stated in Pinter’s plays. It alluringly projects the experience of the characters to unmark the fact that the dramatic world of Pinter’s characterization is found with subjective perception of an objective reality.
